Aditi is on the rebound from a failed relationship, and it briefly appears that her prospective groom Hemant (Parvin Dabbas) might have to return empty-handed. He has had his first taste of love.ĭubey’s romance with Alice (played beautifully by debutant Tillotama Shome) is one of the many sub-plots in Sabrina Dhawan’s expertly braided screenplay. Dubey loses his heart to live-in domestic worker Alice, and begins to absently nibble on the flowers whenever he thinks of her. The marigold flowers with which Dubye decorates the Verma mansion aren’t merely decorative. I will lay out the gardens of Kashmir in your backyard, he promises Verma. Nearly every Indian has met a man like Dubey, who promises more than he delivers, says he will arrive any minute now, and presents unforeseen bills of expense.įorever chewing on paan and clutching a rexine man-purse, Dubey is never afraid of hyperbole. Dubey is the source of endless heartache for Lalit Verma (Naseeruddin Shah), the businessman father of bride-to-be Aditi (Vasundhara Das).
Raaz’s Parbatlal Kanhaiyalal Dubey is a contractor who has clearly upped his game by taking advantage of liberalisation and millennial aspirations (one of his clients wants a “White House theme”). The brilliant Vijay Raaz plays a less modish and far more credible wedding planner than the ones seen in subsequent films, including Band Baaja Baaraat (2010) and Shandaar (2015). Nair’s film, written by Sabrina Dhawan, focuses on an upcoming wedding in the Verma clan, but affords ample space for the man without whom the celebration cannot take place.
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